Raising funds is vital in order to continue the work of the charity. When a tandem sky dive with Skydive Swansea was suggested as the next team Caring in Bristol sponsored event I was convinced it was a big enough challenge to encourage people to donate to a worthy cause but was pretty anxious about undertaking what was personally a huge challenge. Having always been afraid of heights, as the days edged closer to the big event I became increasingly nervous and had a few sleepless nights thinking about my first tandem skydive. The nerves were shared by the rest of the Caring in Bristol skydive team (Emma, Ed, Phil, Julia and Lizzy) and there were plenty of scared yet excited faces when we assembled at the Skydive Swansea base.
Our fears were put to rest on meeting the friendly and experienced crew and we were soon kitted out in brightly coloured jumpsuits and taken through a safety briefing. Whilst carrying an element of risk, skydiving is a safe regulated sport. Despite this it still felt reassuring to know that we would be attached by four points to an experienced instructor at all times. The parachute also had a remote sensor that would open automatically if it hadn’t been deployed once we dropped to below a certain altitude. Skydiving is a weather dependent sport and wind speeds and climate were monitored regularly to ensure the conditions were safe to jump.
The briefing explained the process of a tandem dive and helped to make sure we followed the correct procedures for a safe flight/landing. After practicing a few simple skydive moves we were ready to fly.
My heart was in my mouth as we all got into the plane. The ascent to 12,000 feet took 15 minutes but seemed longer as the features of the ground below became smaller until eventually we were in the clouds. In an instant the shutter door of the plane was rolled up and I could hear the roar of the 120mph wind and see the distant ground. It was jump time!
One of the best moments of the skydive was the few split seconds before leaving the plane. Teetering on the edge and then dropping into the vast expanse of air below was a surreal, thrilling and powerful experience. In free fall the wind felt fierce with the sensation of flying rather than falling. The adrenalin was immense and I think I forgot to breathe in all the excitement. Despite my nervousness, at no point during the jump did I feel unsafe and I was always reassured by my instructor Ricky that everything was going to be absolutely fine.
Once the canopy opened we drifted peacefully to earth with a few swirly spirally moves along the way. I even got to steer the parachute! The views of the stunning Gower coastline were phenomenal and we were lucky enough to be blessed with sunshine and clear skies. Before I knew it we had safely landed back on solid earth and I was walking off of the airfield contemplating life in the clouds.
I also wanted to keep in mind the reason we decided to take on the challenge. Before becoming a recreational sport, parachuting and skydiving were first developed by the military. Limited evidence exists, but some research suggests that ex-service personnel make up around 10% of the homeless population who can struggle with civilian life due to mental health problems, alcohol addiction, family breakdown or a lack of adequate support after leaving the services. Whilst I had the fantastic opportunity to sky dive I felt a need to acknowledge those people who were out there on the streets and had perhaps experienced skydiving and parachuting in a very different way.
Perhaps the greatest thing I learnt from my skydiving experience was the art of possibility. Human flight has been imagined, explored, designed and pursued for generations. Conceivably then, what no better example than a playground in the sky to demonstrate the human ability to make the seemingly impossible, possible.
It’s unclear what the next fundraising adventure will be for team Caring in Bristol but it will be hard to top our skydiving experience. Together we confronted our fears, took on the challenge and raised over £2000 to help homeless and vulnerable people in Bristol. I would like to thank everyone who sponsored me and enabled me to take part and to everyone at Skydive Swansea as well as the other Caring in Bristol skydivers for such a fantastic day.
Skydiving was an amazing experience one which I would highly recommend. I’ve since caught myself looking up at the sky, remembering what it felt like to be a part of it. I don’t think the sky will ever look quite the same again.
Caring at Christmas is a homeless shelter in Bristol, which provides people with warmth and safe accommodation over the Christmas period. My first experience of volunteering in 2011 left me let’s say, philosophical, about homelessness in the city and my contribution towards relieving it. After returning for a second time in 2012 I felt more optimistic. So what did my third year volunteering at the project yield? – an opportunity for growth. This year as well as being a general volunteer and gaining experience in different areas, I also undertook the responsibility of being a supervisor. It was an on-the job learning experience and at times I definitely felt my heart in my mouth. Despite this I left feeling like I had made a valuable contribution. So to keep up with tradition, here are a few thoughts on my third Caring at Christmas experience and why I value it so highly.
Caring at Christmas
Providing approximately 50 beds for homeless people as well as around 300 hot meals a day for residents and other guests the shelter operates over the peak Christmas period providing for Bristol’s homeless as other support services are reduced for the Christmas holidays. In many cases this is the only time a guest will have access to the same bed for 7 consecutive nights and are guaranteed a safe place and a hot meal for this length of time (not to mention the all important Christmas Dinner!). In addition, snacks, cakes hot drinks and entertainment and services are provided such as arts and creative activities, first aid, live music, companionship, counseling, showers and laundry service, hairdressing, footcare and recreational opportunities such as DVDs, pool, table football, ping pong, board games and jigsaw puzzles as well as the provision of clothes, toiletries, sleeping bags, blankets and rucksacks. For the rest of the year the shelter is operated by the charity The Julian Trust who provide around 90 hot meals and 18 beds a night for 5 nights a week. Caring at Christmas also research and produce the survival handbook an annually printed resource and support services guide for the homeless or those at risk of homelessness in Bristol. Whilst having a core component of staff, approximately 700 volunteers support the charitable project and it’s funded by donations and contributions from a wide variety of sources including individuals, groups, schools, communities, companies and businesses. For me this year was slightly different as in addition to companionship and spending time with guests, I also gained experience and an insight into working the on staff door/donations, the kitchen, admin and working the night shift.
Volunteering and on being a supervisor
Whilst I have previously been a general volunteer, to be in a position of responsibility and an identified person people sought in an emergency was a daunting prospect. There were always numerous volunteers on shift but the nature of the environment can occasionally be dynamic and this was in the forefront of my mind when I first applied. A supervisor assists the lead supervisor in maintaining the smooth running and safety of guests and volunteers at the shelter. This can be anything from answering queries, dealing with resource issues to assisting with first aid incidents, fire evacuation and managing conflict.
Whilst professionally, I’ve previously been responsible for managing small projects, assisting directly in an operational capacity and being responsible for people, particularly those who could be described as vulnerable (or in a vulnerable condition) was a new situation for me. The shelter is an environment which demands that you be reactive and whilst there are regular tasks to be performed on every shift, it can also be difficult to predict what sort of things will happen each time. For the most part, the only way to learn is to turn up each day and gain the experience. I was fortunate enough to be in a supervisory team of three serving alongside experienced staff so I was never made to feel overwhelmed with the responsibility and always felt supported. I also took part in the St John’s ambulance first aid course that was offered and undertook the shelter’s own supervisory training session. During my time volunteering I had to draw on things I learnt during both these sessions, but even so, it’s hard to be fully prepared for the first time someone faints on you!
It’s true to say it seemed there was less time to become absorbed in the individual stories and lives of the guests, less time for the fun or creative activities I’d become used to (although I did manage to squeeze in a few turns at monopoly and some clowning around at the ping pong table). Instead I began to gain an insight into what it takes to run a project, learn more about the experiences and expectations of the volunteers and begin to understand the resources, processes and vast numbers of people needed to make it all possible. Once again I was amazed at the generosity of so many donating time, abilities, money and resources to Caring at Christmas. It seemed that no matter whatever skills people had there was a way they could contribute, from local groups knitting clothes, to businesses and community organisations donating fresh produce, to individuals and groups contributing their annual secret santa presents or children sacrificing their months pocket money.
I also got the opportunity to witness how Caring at Christmas has grown and developed over the past few years and how it continues to evolve. The need to be reactive is necessary not just operationally (working and managing more efficiently) but also organisationally (maintaining sustainability) as particularly so in times of austerity when the risk to charities which rely on donations can be a significant one. Additionally harder times will often mean there are even more people who rely on those organisations which meet a social need or provide a social service. The issues of homelessness are not unique to our time, however, the ways in which these can be addressed are always developing. One of the best things about working in an environment with volunteers is that people participate to honour a cause they believe in, help others or develop specific skills and its exactly that motivation and passion which forges an environment where innovation can happen.
Homelessness in Bristol – improving services and understanding need
As ever the experience of Caring at Christmas perhaps illustrated both the best and worst of the human spirit. The shelter provides a glimpse into the existence of homeless people in Bristol, but after 3 years of volunteering I realise that beyond the immediate provision of food and shelter there is a lot more to understand about the complex nature of homelessness and the associated social problems that can be both a cause or a consequence, as well as the varied pathways and means to solutions (presuming that a solution is desired at all as this is not always the case for each person).
Walking home from my shifts at Christmas, I discovered that there were others on the streets that chose not to stay or eat at the shelter, and I wondered why this was and how many others or ‘hidden homeless’ there were out there. Whilst the Christmas spirit may be a motivator for many people in making a contribution to the shelter and there is a pragmatic need for additional support services over the Christmas period, the reality is for many of the guests is that homelessness persists all year round. So it follows that so does the need for support and services as well as the funds and volunteers to make them happen.
Hello 2015! From Caring at Christmas to Caring in Bristol
The face to face shelter environment can be an intense one and for me its always necessary to take a few days after the experience to reflect on how things went, the stories I heard, the decisions I made and what I could have improved upon. My supervisory experience amounted to just two shifts but it was enough to install within me the significance of the responsibility, which is the main thing I will take with me from this year. No matter what training you receive in many ways to succeed in a dynamic operational environment there is simply no other way to learn other than working as a team, relying on others to guide you and doing the best you can. Whilst the Caring at Christmas shelter has now closed, the good news is that this year, the journey doesn’t end on January 1st. As Caring in Bristol (the shelter’s parent company) develops, there are further opportunities to get involved throughout the year, whether this is through fund and awareness raising, taking part in sponsored events, developing projects, skills and knowledge or gaining practical experience, all whilst working with a committed team and volunteers dedicated to making a positive difference and responding to homelessness as a community issue.
I’ll be continuing the journey by, amongst other things, jumping out of a plane.
Challenge on.
Caring at Christmas is a project by Caring in Bristol, a charitable company which delivers and develops vital support to homeless and vulnerable people all year round through effective, volunteer driven projects. Visit the Caring in Bristol website for more information and to find out how you can contribute.
Three months ago, if someone said to me the words ‘learning difficulty’ or ‘learning disability’ I probably would have thought of a host of descriptions or conditions that would define or describe that label. I might have thought about limits. I probably would have looked away shyly if I noticed someone who looked a bit different on the bus. Or maybe I would have been so well meaning in an attempt to be supportive of someone who was different, that I might have inadvertently been a bit patronizing.
It’s unlikely I would have thought about the abilities and potential that the label could also bring, and I certainly wouldn’t think that I would be in a rehearsal room learning from professional actors who were independent, highly creative, enthusiastic, mutually supportive of each others efforts and fearless in their sharing of personal stories, their truthful representations of their everyday lives and their will to fight for their rights for social equality and inclusion.
The Misfits Theatre have been working collaboratively since 2005 to facilitate people with learning difficulties, making their voices and experiences heard. Originating from the closure of a community day centre their pioneering work has taken them to venues and spaces across Bristol and beyond. The company of 35 members (all whom have a learning difficulty) includes 7 paid actors as well as those who vote and lead as directors of the company, giving a valuable opportunity for the members to take shared ownership over their own futures. The members also act as healthcare trainers and perform to NHS and social care professionals, reversing traditional power relationship as doctors and nurses learn first hand from those who may be their patients in the future.
By sharing with their audiences the ‘real life’ experiences of learning difficulties and being social excluded, The Misfits challenge perceptions and assumptions making work with themes including life skills, hate crime, dealing with challenging behaviour, relationships and sexuality. These are balanced with a wry humour and clownish comedy and the fun, playfulness and collaborative nature of the making process is embedded within all aspects of the organisation, and it is this that makes it so unique.
The companies work extends beyond more traditional performance spaces. The Misfits along with their friends and carers have the opportunity to get down and groovy at the flagship ‘Rhythm of the Night’ disco at The Trinity Centre.
The event is open to anyone who wants to meet up. There is talking, drinking, dancing, a couple of renditions of the conga, Elvis always makes an appearance and the DJ blasts out that old Tom Jones classic at the end of the night. It’s not much different from a Saturday in town. I’ve learnt that having a learning difficulty may mean that some of your needs are specific but enjoying social time, a laugh with your friends and the opportunity to meet new people is something that is universal and very much needed and appreciated amongst the local community. The night also offers an opportunity for performance and to encourage others to watch and engage in theatre.
My time with the Misfits has truly transformed my understanding of ‘learning difficulties’ and has revealed the many gifts and talents that individuals have when they are given the space, resources and support that they need to develop them. The Misfits have taught me the importance of advocacy, standing as role models to many of their peers in the community both through their work in the arts and also their determination to make their voices heard about issues which affect them. The sharing of their experiences has also given me an insight into the realities of living with a learning difficulty from negotiating everyday life to the struggle to find work, social and development opportunities and to realise aspirations.
The most significant thing that The Misfits have left me with is the role that the arts has in building and strengthening inclusive communities. Many of the members have described their lives before they joined as ‘boring’ or they felt isolated with nothing to do. The Misfits offers friendship, structure, opportunities to grow and an accepting place where the members can share interests, stories and laughter. The bonds that are created between performers and group members are meaningful and lasting ones and the challenges of life are turned into a mission to raise awareness, change hearts and minds, have fun and get paid doing it. The companies base in Stokes Croft ( Co-exist at Hamilton House) enables the members to meet and mingle effortlessly with other arts practioners and enthusiasts – it’s a place where standing out often means fitting in.
The achievements of The Misfits have recently been recognised by the National Lottery who have shortlisted them out of 900 other organisations for a Good Causes award in the Arts category. Competing against six others, if successful, the National Lottery Award could mean a chance for The Misfits to make a TV appearance on the BBC’s One Show as well as winning £2000 to help the company continue its work. The ethos of the company is that it is member led so even my blog post wouldn’t be complete without input from The Misfits themselves – and the video above contains an extra special Misfits message for you. Supporting the campaign is free, so please visit:
I recently completed some communications work for new charity Bristol Night Stop. Bristol Night Stop is a daughter organisation of Caring at Christmas – the homelessness charity which I’ve previously volunteered for over the festive season – and a topic of some of my previous Blogposts. Below is a write up of one of the interviews I undertook with the host volunteers and a copy of the short promotional film that was made. The organisation is recruiting now! Could you welcome a young person into your home for a night? Please consider it.. more info can be found at http://bristolnightstop.org/
The idea of welcoming in a young person you don’t know into your home for the night may seem like something you would never consider, but not for Richard and Heather Drake of Bedminster in Bristol. Since 2008 they have opened their door and provided overnight bed and breakfast to more than 100 young people in crises through the Bristol Night Stop project. At a time when youth homelessness in Bristol is increasing whilst funding for support services are being cut both nationally and locally, I went to talk to Richard and Heather Bristol Night Stops longest serving host volunteers about their experiences and to investigate what exactly Bristol Night Stop involved and why they do it.
Bristol Night Stop is a sudden homelessness intervention scheme for young people in the city aged 16-25. It aims to provide immediate intervention and a short term accommodation solution to young person in crises. The charity aims to address the issues ‘from day one for as long as it takes’ providing a source of advocacy and support to the young person in order to address their immediate needs. Key to its successful operations are the volunteer hosts who provide a hot meal and overnight accommodation to a young person in crises.
Richard and Heather are two of the organisations longest serving volunteers and I was keen to find out more about them. What was it that made them want to give up their time and volunteer? What impact does an unknown teenager in crises have when staying in their house?
On first sighting their house is just like any other – a small terrace in Bedminster, Bristol with two modest sized bedrooms. Reassuringly unremarkable and at the same time very cosy I was greeted on arrival by Heather who ushered me in warmly, took my coat and offered me tea. My tour around their home illustrated that the ‘guest’ accommodation or spare room was furnished simply with a sofa bed. For me it felt like an average house but I soon learnt that for the young people who come to stay overnight, the stability and companionship that it brings can be essential respite from domestic upheaval with the next stop on the journey being the streets. The term ‘young person in crises’ is a broad one and can often associated with a host of chaotic life incidents and experiences but I soon learnt that the reality of the young people being referred by the organisation Bristol Night Stop was often quite different.
Many of the young people were those who had fallen through the system, who didn’t immediately qualify for statuary emergency services due to a lack of acute circumstances like addiction or physical abuse. The young people had come from a variety of backgrounds some were in work some not but all vulnerable, and as Richard told me ‘we can see how quickly people can deteriorate when life has gone wrong , and we don’t want them ending up at a night shelter’.
The services provided by the couple are quite simple, an evening meal and bed and breakfast in the morning. Aren’t they worried? I asked about opening their door to an unknown youth? No, says Richard, there is nervousness but it’s always on the part of the young person, the role of the host is to relax and reassure, if you relax the young person will relax and that’s what it’s about’ Heather added ‘there a sense of trust simply letting them into your home.. having said that we really haven’t had any bad behaviour over the years – It seems to me actually quite a small thing to do, an evening meal and a bed for a night but it comes at a time that is actually crucial – a small thing can come at a time when it can make a big difference’.
Bristol Night Stop volunteers don’t necessarily have to come from a specific background, material or marital situation, and the organisation doesn’t distinguish on the grounds of race ethnicity or disability in fact applications from groups that are under represented are positively encouraged. Richard adds ‘We are already parents and we do it to reach out a hand to a young person.. We have seven kids between us all with their issues, we would like to think someone would be there to help if they needed it’ when describing the act of volunteering he suggests’ if people have got kids – if your son or daughter said their friend is having trouble with their family you would let them come and stay for a few nights, its not that different’.
Already I am won over by Richard’s twinkly eyes and gentle demeanour even so I thought, in practice how does it work out? I enquire about the need to take sensible precautions (by precautions I mean hide the family silver and well what about drugs or bad behaviour?). Richard smiles ‘ its very much about managing expectations – you trust yes but not too stupid degrees, just as you would have with friends of a son or daughter, you need to have a degree of faith in human nature yes, but these kids have come from some difficulty and probably their behaviour has been part of that – but we have had very little problems over the years’.
As a host, the Bristol Night Stop does allow you some control over which kind of young people may come and stay at what your preferences are allowing the volunteers to place some of their own conditions around when and how the young people come to their homes. All potential placements have previously worked with Bristol Night Stop and are risk assessed, so volunteers wouldn’t be placed with a chaotic heavy drug user for example. Richard points out that nerves got the better of the couple to start with adding ‘Now we don’t have really have any specific conditions but we may have done in the beginning before we became experienced’ .Every host is different, Heather assures me, there are different degrees and different ways that people make themselves available – the hosts are matched with the young people and ideally there would be a lot of hosts around. If you have requirements and things are going to upset you let the young person know’ (for example sitting in a favourite arm chair!) As a host I need to say it because they are not going to know unless you tell them.. its about having the presence of mind to say what bothers you – this is my preference, these are the boundaries, they are your guests, on your terms. You need to take charge yes, but you also need to know their name’
Heather and Richard are supported by Bristol Night Stop through ongoing mentoring and training and the process includes CRB checks, risk assessment, fire check as well as the opportunity to get together with other hosts who can also act as an additional source of information and experience – Heather says ‘meeting other hosts is a nice aspect we get together and have socials go to the pub and swop anecdotes – it’s a good support network and we get a good idea of all the different approaches the hosts take’. The organisation aims to keep hosts connected and communicating as well as being reflexive and responsive to the needs of both the volunteers and the young people who are being supported, with Heather noting ‘we felt very well looked after by the organisation and always felt like we were never expected to do anything we didn’t want to do.
Beyond the Bristol network the Night Stop Scheme accredited by DePaul operates successfully in 40 other cities.
So the big question is why do they do it? In a world where it is all too easy to leave that empty spare room standing full of junk or sink into the sofa in front of the TV alone of an evening – what do the couple get from offering a bed to a young person they don’t know?
Richard explains ‘there are positive pleasures – it is a positive pleasure, you are not looking for a sense of gratitude or huge thanks because you won’t get that a lot of the time, these are young people in a difficult place in their lives they are not best placed to be grateful, but it’s all about meeting people, it’s interesting. I like meeting people, it’s fascinating. You get the pleasure of seeing these young people who are nice people, its restores your faith in human nature. It’s a fantastic demonstration that people are okay really’
For Heather compassion also plays a big part, suggesting it’s perhaps ‘a residual maternal concern about young people and the difficulties they get into’
Bristol Night Stop aims to be responsive acting quickly to sudden homelessness and the organisation places a strict limit in the number of nights placements can be (usually only 1 night, but capped at a maximum of 3) so the scheme does not leave any time for any deep bonding or soul searching between hosts and guests. What about attachment I ask? Do you ever keep in touch? Never says Richard, ‘none of the young people that have stayed have ever come back to the house, it’s not part of the scheme – there are quite strict rules about boundaries .. you can’t come in as a rescuer , you need to have the bigger picture in mind. It can be frustrating to not know the rest of the story – where the kids have come from and where they are going, but your role is to just be there for them in the moment when they have nowhere else to go’.
Whilst the couple have stressed that the service they provide for Bristol Night Stop and its young people in crisis is actually quite a simple and easy one, In Richard and Heathers case it’s clear that the qualities of a volunteer host also include stability, a sense of humour and life experience, with the added benefits of wider family support – Richard says proudly ‘most of our friends and family think it’s a good thing we don’t really have any doubters … the kids are very supportive and think its sensible’
With homelessness in Bristol increasing there is a clear need for more volunteers and the organisation is currently running a host volunteer recruitment campaign for the Bristol Night Stop scheme with a number of events planned over the next year. As well as illustrating the difference that the service makes to those young people who need it, my discussions with the volunteers have revealed that the act of opening your door to a stranger may not actually be as difficult or as dangerous as your initial preconceptions may have you believe? In comparison to the significance that just one or two nights could make to the lives of a young person in crises the Richard and Heather have convinced me that the gesture is actually quite a small one.
There are many things that the couple could be admired for. Trust, compassion and an altruistic nature yes, but for me the greatest sense I am left with, is that of two people taking a simple action to assist a young person for a local cause they believe in. As Richard’s final remarks to set out ‘host volunteering and opening your door to a young person in crises is not what everyone does or expects you to do yet people always talk about society having no sense of community – what is this if not the community they are wishing was there?’
Bristol Night Stop is based at the Fire Station and is recruiting host volunteers log on to http://www.BristolNightStop.org for more information.
Windmill Hill City Farm is an independent community project situated half a mile south of Bristol city centre, which aims to meet the needs of local people through a wide range of social, environmental, educational, recreational and economic activities.
I’ve been working alongside community development and volunteer coordinator Jules Allen and artist in residence Joe Nute to develop work with various local groups and local people and finding out about their personal stories for the shared memories, shared futures project. The first project topic is that of food. It is intended to create an exhibition with illustrations, photos, stories and poetry. We spent some sessions with the Windmill Hill City Farm older people’s group asking them about their memories of times past. As we began to discuss food, in the process, many other stories emerged, from work to play to the challenges faced day to day.
The benefits of reminiscing
Reminiscing is about reliving and sharing aspects of the past with others. Often our memories can be triggered by a song, smell, object or some other anchor which reminds of some aspect of our past experience. Through reminiscence we can connect and relate to what’s gone before. It is not about cataloguing the past chronologically (such as you would on a CV) but about connecting with past experiences in an engaging and vivid way. This can help to foster self esteem, express individual identity, deliver a sense of achievement and self worth and provide perspective in relation to a life review. In a group setting reminiscence can increase awareness of the uniqueness of individuals, highlight shared problems or concerns and increase a sense of belonging and acceptance. Additionally sharing stories can help to increase understanding and widen perceptions of others experience and often encourage audiences to examine their own views with a realisation that we are all different and similarly, all see each other in different ways . Reminiscence is often used to help with dementia however in this case it was intended that we shared space, connected, had a nice time together and used the inspiration and stories to contribute to the arts project.
Lots of things were discussed but here is a mini – collection of accounts we heard from our group members.
Specific food memories:
‘I loved corned beef stew – we never had any proper meat so we used to have corned beef stew – I liked it’
‘No fruit, no bananas’
‘I remember being in the shelter, eating a saucepan of stew with a wooden spoon and sitting on a plank of wood’
‘My husband came from a family of nine – he used to eat a lot of offal’ (‘I guess you have to be quick with a family of nine’).
‘In our day we only had two veg shops and you had to queue up. You took home whatever was there’
‘I remember having to get up at 4am to go to the meat market so we could get some fat so we could cook chips’
‘On VE day, the Americans would pass you in the street and pick you up and put you on the lorry… they were always chewing … they would always say ‘got any gum, chum?
‘We used to do a lot more ourselves, keep chickens and have allotments for veg’
‘I don’t remember ever learning to cook – I think it just came naturally’
“Bread and dripping it was very bad for us but oh so good……better than sex really!”
“Bath Chaps, they are pigs cheeks, oh so tasty, I would love to eat them again.”
“My nan used to take her chicken for a walk in the pram….I can see her now, the chicken with a bonnet on it”
“You would have a piece of wedding cake and a cup of tea, we couldn’t afford a buffet. We would sit round the piano and sing ‘Nelly D’ The men would have a beer, no beer for us”
“The cake was made up of one layer of cake at the top and the rest of the layers were made of cardboard with icing on it”
“My mother in law taught me how to cook, I grew up in an orphanage you see, no mam and dad, and I had no one to teach me. Chickens was a luxury, my mother in law would hang the chickens on the washing line so all the blood ran out. They showed me how to be a family, I had all the love from my husband’s family.”
Memories of work and leisure:
‘I used to work with ammunition up at Avonmouth, testing the tins, the ammunition came in a tin like a petrol can, you used to have a big tank and you put the tin in and if it bubbled you knew there was a hole in it so you couldn’t use it. We did shift work and our days off we used to go to the Barclay tea dances on a Wednesday or to the cinema’
‘I left school at 14 and I had several jobs, I worked with my brother in law dipping pokers. You needed to dip the ends in black paint so they could be safe to stoke the fire, and I worked in three pet shops’
‘We didn’t have Halloween in my day, I remember May Day being a big celebration, the whole town would come out and dance around the Maypole, everyone and the Brownies and the Guides – you would have a dress that matched the colour of the ribbon you had and you would all have to work together to plait it and keep the ribbons straight. Someone would always get it wrong though or get a knot, we didn’t have much to do during the war ’
From past to present:
‘We go to a lunch club for older people that’s really good, I don’t cook that much now, I’m not bothered, I might do a jacket potato. I’ve got family that see me, yes but only for a couple of hours a week. It’s not the same as coming to the farm or going to lunch club, it’s important to be part of a group – it’s good to have people to talk to’
‘I like a roast dinner now or a piece of fish – the lunch clubs I go to are really good I don’t cook so much for myself these days’
‘I’m on crutches so I can’t get out and about without the bus and groups like these. If they were not here well I wouldn’t go out’
‘I like coming to the farm, going to the hairdressers and the lunch club it’s good to get out and about – before the community bus service and the community groups I didn’t really go anywhere – I didn’t go out at all’
‘My scooter has been a god send since giving up driving – it’s good to get out and about and up to the church hall – people couldn’t believe it when they saw me zipping around on it’
The sessions were very enjoyable and we had a lot of fun. It really brought home to me the privileges we have today despite the current economic climate, and we picked up on lots of ‘make and mend tips’ and other bits of info including a recommendation for a brawn recipe for pigs trotters . Also how our lifestyles have changed was emphasised, with many people in the group reliant on growing their own vegetables/raising livestock, shopping locally and cooking slowly in comparison to today’s hectic consumer lifestyle.
Whilst we collected lots of stories and memories I was left with an overwhelming sense of the value of the wisdom that an elder’s perspective can often bring, as well as the importance of this specific community group and the benefits of community activity in general. I was grateful and privileged to be a part of the sharing.
Do you have a recipe passed down through generations, a favourite childhood food or thrifty idea to share with us? – Please get in touch – we would love to hear from you!
Windmill Hill City farm also runs a variety of volunteer projects from farming to radio – read about them here and contact Jules Allen for further information and to take part in our project.
Here are the links to the Ujima Radio interview we did about Caring for Christmas. Thanks to presenter Rhianan and co interviewees Ellise Scourse and Tommy Popcorn. Check out Ujima Radio for some fresh tunes 98 FM Bristol. http://www.ujimaradio.com
As with many things (a song, a poem, a sample of data, a performance) a blog post can represent a glimpse, a single account and perspective of a specific moment in time. I wrote about my first experience of Caring at Christmas in 2011 having volunteered the previous year. Despite having enjoyed my time, I left feeling cynical. I completed only three shifts but the memories of the people I encountered stayed with me, as did the knowledge that their lives would not change radically. It seemed the shelter provided an all too temporary respite from the realities of an often harsh everyday existence. This I now understand is a common ‘first timers’ reaction, referred to fondly as ‘The Florence Nightingale effect’. Whilst I never ever set out to assist with any kind of life ‘intervention’ I left feeling frustrated at the ways of the world, at the cycle of poverty, crime, addiction, prostitution that it was possible to get stuck in, at the ‘system’ which was struggling to support people with complex needs and which often could not, and also particularly with cases of addiction, the inevitable inability of many people to help themselves.
Yet, in spite of this, this December I was back at the Shelter and in it for the long haul. So what was different? Well my circumstances for one. Due to a change of career direction I found myself, to begin with, with a little time on my hands. This year it wasn’t possible to make the long rail journeys to visit family scattered around the UK. Whilst I probably I could have blagged a place somewhere local for dinner on the 25th, as I am sure many others could testify there are few things to make you feel more like an alien appendage than being tagged onto someone else’s family dinner on Christmas day. I’d been keen to get more experience working directly in frontline positions with people and I felt time at the Shelter would provide this. I wasn’t done with this topic of volunteering and my ongoing quest to understand if altruism really existed, but mostly I was just cheesed off with the ‘same old, same old’ engine of (often conspicuous) consumption Christmas had become. I can’t say I’d previously given religion that much thought (and caring at Christmas is not a religious organisation) but I’m pretty convinced had Jesus ever had the misfortune of witnessing two grown women locking horns like stags in a trolly fight over the last figgy pudding in Asda, it’s fair to say our bearded friend he would be ‘turning in his cave’.
Having had some experience of Caring at Christmas my expectations of the overall impact I might have on the lives of guests were lower, but perhaps more significantly I’d been forced to admit, that this year as a volunteer, I needed the Shelter as much as the Shelter needed me. This year I completed just under 12 shifts. From set up on Christmas eve I was there until we said goodbye when the shelter closed on New Years day. My task was the same.. a ‘general’ assistant – which meant working in the day room alongside the guests – companionship, tea drinking, talking and listening, toilet duty, some housekeeping tasks and ‘mucking’ in with anything else that was needed.
The stories I heard and sometimes the scenes I witnessed could often be challenging… serious abuse, rape, extreme self harm, multiple addiction (in some cases) but also something as simple as needing company, a joke and a nice cup of tea at an often emotionally testing time of year.
I could relay their stories to you, as I did in my last blog post, but truth be told.. this year I decided they are not mine to tell. From my experience I can say however that the terms: homeless, vulnerable, mentally ill, in crisis, addicted, psychotic (I could go on) often melt quickly into insignificance when you realise the person you are speaking despite their circumstances is just like you.
The shelter gave me an opportunity to apply my clown training in a way that I had not anticipated. I didn’t perform, mime or roll about with a red nose on, but the skills I learnt through clown enabled me to engage with guests at the shelter. To be able to see the humanity beneath behaviour and context is vital and clown training helped me to do this. A guest told me that life on the street is ruled by the ‘laws of the jungle’ and it was perhaps this primal basis of clown communication which often helped me engage with people comfortably in a way that I couldn’t have done before. Additionally the potential of the creative arts was emphasised as I was amazed at how a painting, drawing and often rap or poem could have such power as a tool of expression, understanding and source of discussion and meaning.
I put in some hours this year, and I also learnt the need for ‘care of the self’ in an often emotionally demanding role. I managed effectively and only really began to feel emotional towards the end during the last few shifts. As I had previously questioned the impact of the shelter years before, I was humbled when a guest shared his view with me. Yes, he said, the shelter was temporary, but for those few days it was often the only time of the year that the guests knew where they would sleep, were guaranteed a hot meal and most significantly, he said tearfully, a safe space. As a performer I know that the need for a ‘safe space’ in order to create is vital. Whilst the context was radically different I could suddenly comprehend the daily roulette wheel that life on the street could be and that this short term provision over Christmas was vitally important and meaningful to our guests, particularly when other support services were shut.
My experience at the shelter gave me so much this year. It reminded me of the necessity and experience of everyday and simple work, gratitude, friendship, teamwork, companionship, and acceptance. Whilst all of the 300+ volunteers each had their own reason for being at the shelter this Christmas I learnt the potential of goodwill en masse from people of varying and also no religion. In short, I discovered that those long forgotten perhaps more traditional principles of Christmas were still very much alive, when I gave Cribbs Causeway and the EastEnders Christmas omnibus a miss and actually bothered to go out and look for them.
I also learnt more about the organisation – how it acts as kind of broker for other charities, how none of the donations received are wasted and are passed on. I found ways to continue to help beyond the Christmas period both with ‘Caring at Christmas’ and associated new charity ‘Safe Stay Bristol’ – a sudden homelessness intervention scheme for 16-25 year olds.
My choice to volunteer with the homeless at Christmas could be met by others with bafflement around my own motivations or expectations, and its true not everyone could see the value in such an activity. So I will admit now that its not altruism, in fact I am a very, very selfish person. I volunteered because amongst the communitas and Christmas spirit, this experience allowed me to see further potential in my own skills and abilities, and gain confidence in their application. It wasn’t always easy, and I accepted that my impact on the lives of the guests is unlikely to engender any measurable or significant change. However if I have learnt anything from the guests I’ve met its the ongoing daily need for hope, companionship and laughter in the face of great adversity.
The real truth is that I had a choice to be there, in that moment, and hold the hand of a rape victim while she recovered from her ordeal… or not… and this time I chose to be there regardless of the outcome, in the knowledge that she was holding my hand too.
Please visit the website above for further information about the organisation and volunteering. I’ll also be running the Bristol 10K in May so keep your eyes peeled for my Justgiving page coming soon – Happy New Year!
To ease myself back into the blog before I update you all on what’s afoot..check out this brilliant video series from the guardian. They are all really good but this one in particular resonates with me as it relates to my previous research. Keep an eye out for more over the coming week.
Today I attended the ‘Devoted and Disgruntled road show – an open space event at the Tobacco Factory Theatre, part of a national roadshow which asked the question ‘what are we going to do about theatre’.
I was pretty nervous, but even so, somehow ended up facilitating a session along with the nice Mr Spurgeon from Bristol Old Vic. I loved loved loved the ‘Open Space’ philosophy and will talk about that further… we are all contributing to a collaborative report available here: http://www.devotedanddisgruntled.com/reports/ so read away on our discussions!! I could probably do more thinking around this but as I was writing my notes up – thought I would copy them here too! here are my notes from today.. off to bed now more to follow after tomorrows session! inspiring and exciting!!
———————————————————————————————
Greetings!!
I got first involved in theatre via participatory projects/interventions which means I’m now really interested in theatre projects which encourage similar participation or engagement from those in the community who may not have had experienced this kind of performance before. I believe this can be really beneficial in a number of ways and I suggested this topic as I hoped to have a broad discussion around some key opportunities/challenges which I think is what emerged. Joe and I decided on a joint session as there was some crossover in our questions. Joe’s report is also available – I’m working from an audio recording (cheating a bit) which is why mine is quite detailed. Here are some of the big questions/discussions we captured today. Thank you to our lovely group for all their contributions
Perceptions of amateur Vs perceptions of ‘professional’ what’s the meaning, significance and is the distinction necessary?
The group started off with consideration of what these two labels mean.
Typical perceptions/assumptions of ‘Amateur’ (companies, groups, individuals)
Does it for love
Lower standard
Part time/hobbyist
More control over their own productions
Pay less for script rights
Less need to evidence impact/spend
Not commercial
Not formally trained
A status
An attitude
A perception
Typical perceptions/assumptions of ‘Professional’
Does it for money (earning a living)
Formally trained in accordance with industry and other expectations
High standard of production, greater expectation
Funded/commercial /need to make profit
Full time
A status
An attitude
A perception
Conflicts and considerations:
As we know there are many grey areas, crossovers, contradictions and exceptions to the above, and that reality may not always reflect assumptions. Key points which were made were in response to his were:
There are blurred boundaries around notions/definitions of: amateur, community, non-professional, professional, participation, participatory theatre.
Everyone starts off as an amateur. Nobody talks about ‘amateur’ painters. Yet most commonly viewed as professional once you are being paid.
Participatory performance or those using volunteers – what are the issues around this ‘taking work’ from ‘professional’ performers – work is scarce and inequality issues around pay across the arts abound. Challenges of delivering mixed economy shows. Value and equality systems tough.
What do we mean by ‘participation’? Some artists want control over their work, and it is defined by the artist – participation can blur the boundaries. There is a clear need to communicate ‘Why’ volunteers or community members are used in a professional production, and what is expected – Should not be just a box ticking exercise in order to demonstrate benefits – a need to evidence and research properly that benefits are really happening. Again, depends on meaning of participation itself. Evidencing impact can be challenging and expensive – how to measure – bums on seats? What happens if there are no seats?
Politics can often see art as a liberal past time – a hobby not a profession, there is often a need to demonstrate that a project is professional and worthy of financing.
Money is often the key factor in determining a ‘professional’ production – a need to examine how art and theatre are valued more widely in society. Culturally taught to value art financially – need to reassess this. Is it sometimes easier not to have money in terms of freedom of creativity? Theatres want bums on seats, arts orgs want grants… where is the audience in this? Amateur sector more closely connected to audience wants? Charles Handy – understanding voluntary organisations book.. Anyone who works for free is getting paid but just not in money. A need to work out a different exchange.
Should we move beyond ‘amateur’ and ‘professional’ and let projects be defined by who is paying to see them? If the audience is paying does it matter? What about students/graduates – they make work – why are they only ‘professional’ on graduation? What’s the difference between an ‘emerging artist’ and an ‘artist’? Qualified or non-qualified – what is the role of ‘the expert’ no always related to qualifications.
Reaching out and connecting
The internet recognises that you don’t need a certificate and that internet as audience knows that something of huge quality can punch through the glass ceiling of control and patronage. Now you can use the internet to platform things and reach wider audiences directly. You can make things happen with technology as you can hear other voices which think similarly. Set free a ‘whisper’ which snowballs – strong links between internet and democracy – flash mob as performance art.
Is there an economic benefit in cross-pollinating professionals/non-professionals?
Need to ‘bill’ yourself as an artist to others. Social media has changed the ways in which his is possible – now a need to be self-defining – more empowering for artists.
Need to always engage with ‘the amateur or non-professional’ as this could be a voice that needs airing. Few opportunities for adults in relation to opportunities provided for younger people. The benefits or art and drama are often cited for children – why does this stop as they grow? Need to examine audiences/opportunities for engagement across the life course.
The need to give opportunities to build and develop audiences – this can be done through participatory projects – Do we need more in the South West? How do we give people these opportunities? How do we give people who want to connect connection opportunities? More important to find people who had never even considered theatre/art ? How do we find those people?
Need to re-think not ‘participation’ but ‘theatre’ taking performance out of the building, re-imaging it to make it more attractive to a wider audience. Need to acknowledge how art is perceived by many (negatively) and finding something which is ‘big’ enough but also powerful enough and relevant enough to appeal..or at least hard to ignore.. i.e royal deluxe puppet. Is about how you go about interrupting people’s realities in a joyful careful way. Theatre is an art form and a building. Need to find something capable of striking awe into everyday individuals. Interrupting realities in a joyful way – France is very good at this.
Pop up performance across the city. Refurbishment of old Vic was a great opportunity to push theatre out to other places. Forced different patterns of movement in the city by artists and audiences. Not much money involved – even so it was done by professionals.
There is a need to increase participation in theatre by audiences but also a need to integrate different disciplines into the art world. Use art and theatre to communicate the ‘key messages’ or challenges of our time. Also a need to make the ‘language’ more accessible and conversation less introspective. Break down barriers and increase understanding. Example – relationship between art and science.
Its all about values and aims.. ‘know your ‘WHY’
Art gives a different perspective on life – it encourages meaning making, and can reveal the true creative potential of individuals. There is also an economic argument for this. If the purpose of art is to reflect life then need to attract performers/creative’s from a wider remit. As artists it’s our role to be constantly looking about how you make the story engaging. Its about re-knowing – when art tells you something that you already sort of knew. It turns your head sideways.. it was always there but the work has managed to explain it to you or relocated it for you.
Its necessary to embrace future-facing work –peak oil etc – a need to communicate key messages to wide audiences.. how to turn people around to face these big challenges through art in a way that doesn’t make It seem impossible… when really its easier to be down the pub.
It’s about communicating the elephant in the room but also knowing why as an individual and as an artist, you do what it is you do.
I’m not really sure why it popped into my head really. I’ve never really spoken much about it to anyone. I guess as my nan is so poorly now I’m a little preoccupied with death – also when you are studying ageing you come across the topic quite a bit..
It was a year after I’d left uni (2005) and there was a bit of a hoo ha about whether I should even be allowed to attend or not. The tutor organising the Poland trip was all for it though so I managed to sneak a place on the small group. I don’t know why I asked to go I just felt that I really had to experience it. Heritage and tourism was something I’d spent a lot of time studying as an undergrad and ‘dark tourism’ was something I was really interested in. I had little knowledge of the time in history at the start as I never took it beyond Tudors and Stuarts when I was at school.
We were there for a week and travelled to various Auschwitz sites across Poland. I wanted to understand these events but also how they could be communicated and represented. How after such a tragedy do you deal with the scars that are left?
Places such as The Killing fields in Cambodia, Ground Zero in New York and other war/disaster sites often attract a high number of visitors…. both those that have some personal connection with the place or family ties as well as those wanting to understand historical events or how they have shaped the identity of people and place. It’s often a complex, contested, and ideological thing – the representation of history.
Many people, who may not have a direct link to the events often see it as weird or morbid – to visit a place such as Auschwitz. A place where unspeakable things happened. For me it serves as an acknowledgement to those who were affected – a way to understand the impact of such events and a reminder of how atrocities can happen if we let them.. it was at times a difficult journey – to be confronted with the images and experiences the sites/museums portrayed, but it was an important one and one that I would never forget. It is also incredibly important for those who do have direct connections to the events.. many families were visiting the site, having made a pilgrimage in memory of loved ones or relatives lost. To make meaning and sense of their identity. The site was flooding at the time of my visit and I found the below note in the grass… I don’t know anything about the person who left it. I wonder who they were and how these events connected us in this really remote way? The other clear memory I had was of the ash. It was still evident, all around Auschwitz II Birkenau even in 2005.
Even though I caused a bit of controversy by attaching myself to the trip.. I still believe that it was the right thing to do, and I am still really grateful that I got the opportunity. People generally think that death is something we shouldn’t really ever contemplate..but thinking more widely however, we can see from other cultures that this is not always the case. For in understanding and embracing the certainty of death we can simultaneously find greater reason to embrace and celebrate life and the living. If you ever have the chance to visit – go. Poland is a fantastic country with a lot to offer for many types of travel.
Amy-Louise Webber 